I understand how, in retrospect, it may feel like it isn’t groundbreaking, but do consider that before Die Hard, there really wasn’t anything quite like it.
A quote straight from Wikipedia:
It is considered to have revitalized the action genre, largely due to its depiction of McClane as a vulnerable and fallible protagonist, in contrast to the muscle-bound and invincible heroes of other films of the period.
While it did sort of fall apart and away from what made it great in the later sequels, I think it’s important to put the film into the context of when it was released and what it did to the genre.
In the eighties, action films preferred invincible heroes who slaughtered mooks by the dozen with casual disdain. Die Hard popularized grittier and more realistic action, with heroes who are vulnerable and suffer from character faults. It also popularized the concept of action movies confined to limited space, a setup that this very wiki calls ““Die Hard” on an X”. (For example, Speed is “Die Hard on a bus.”) Also, at the time it came out, people were shocked at the idea of a comedic actor like Bruce Willis being an action star. Nowadays, what with Tom Hanks Syndrome, comedic actors doing serious roles aren’t nearly so amazing. Younger fans might not even know Willis got his start in comedy.
Same reason I like Dredd from 2012. They confined the story mostly to a location and one main enemy, and I think it helped a bit cause Dredd generally has no flaws and can’t be beat.
Yeah it’s a good way of realizing why certain things from your past felt so amazing at the time, but are seen as less impressive to people just experiencing it now. It’s hard to describe just how awe inspiring The Matrix was to see in the theaters, or how incredible Golden Eye felt to play on the Nintendo 64 for the first time. Looking back, those things feel like one of a million other movies and games. But that’s only because a million other movies and games were changed forever because of them.
Or to take it a step further back, try getting someone without context before the modrrn era to understand how groundbreaking Casablanca is. So many tropes were invented in that movie, but watched without that understanding many would say “what’s the big deal ?”
It’s a good movie even now. But it’s a great movie with context
I understand how, in retrospect, it may feel like it isn’t groundbreaking, but do consider that before Die Hard, there really wasn’t anything quite like it.
A quote straight from Wikipedia:
While it did sort of fall apart and away from what made it great in the later sequels, I think it’s important to put the film into the context of when it was released and what it did to the genre.
All that to say, Die Hard fucking rules.
Exactly, this is 100% Seinfeld is Unfunny material.
Same reason I like Dredd from 2012. They confined the story mostly to a location and one main enemy, and I think it helped a bit cause Dredd generally has no flaws and can’t be beat.
Dredd (2012) is just “Die Hard on LSD”
Jokes aside, Dredd rules.
Just learned about the Seinfeld is Unfunny trope from your comment. What a helpful expression in describing media/pop culture progenitors!
Yeah it’s a good way of realizing why certain things from your past felt so amazing at the time, but are seen as less impressive to people just experiencing it now. It’s hard to describe just how awe inspiring The Matrix was to see in the theaters, or how incredible Golden Eye felt to play on the Nintendo 64 for the first time. Looking back, those things feel like one of a million other movies and games. But that’s only because a million other movies and games were changed forever because of them.
Or to take it a step further back, try getting someone without context before the modrrn era to understand how groundbreaking Casablanca is. So many tropes were invented in that movie, but watched without that understanding many would say “what’s the big deal ?”
It’s a good movie even now. But it’s a great movie with context
I’m in my 40s and wasn’t aware of his comedy career.
I think that TV Tropes page was written like a decade ago, if that helps you feel better.
I mean, I don’t think Moonlighting really targeted preteens and children, so that tracks.
He could be a fucking bartender for all we know!