It’s almost like racists are only ever going to whine about inclusivity, and “characters remaining their own race” vs “creating new characters” is a moot point because the people out there who are upset by the former are going to be upset by the latter anyway.
Uhm, no?
Have you seen the reception to both Spiderverse movies? It was overwhelmingly positive. I’d say they were probably the most universally liked Marvel movies of the decade. You would really compare that to the reception the new Little Mermaid or Ghostbusters got and say “yeah, the same amount of people got upset by both things”?
It’s nowhere nearly close. Obviously, it’s also because the spiderverse movies are written much better, but that’s also a symptom of better writers being hired for better projects. The fact that raceswapping a character and writing an entirely different one are received the same way is just plain false. Not to mention, even better, just making new movies with black characters altogether. But those two things require considerably more effort than taking an old, already liked movie’s script and copy-pasting it with a random character of a different race. And Hollywood doesn’t like effort, they just like money and free advertising.
You obviously didn’t hear all the people complaining about Miles in the Spider-Man game, which is what I was referring to.
Have you considered that the racists in question just didn’t go see the Miles Morales movies? Also, the fact that they are independently good movies has to do with the turnout. The little mermaid remake and the Ghostbusters new movie weren’t exactly masterpieces. Saying that the spiderverse movies succeeded where they didn’t is wholly attributed to the metric of creating new characters vs race swapping others is just wrong. The fact is that those movies were lazy, and that was the reason they failed.
The fact is that those movies were lazy, and that was the reason they failed.
I addressed that before, in a sense. Imo, the raceswap is part of the laziness. And yes, the reason they failed is because they were lazy, but if they weren’t lazy they wouldn’t have been just bland raceswaps. That’s what I think about it, at least.
And honestly no, I didn’t hear complaining about the game, but I admittedly read very little about it online. My friends liked it a lot and that’s all I know. Complaining about that seems even dumber to me though: the franchise just got a very popular movie with a new main character, why wouldn’t you put him in the game too? I don’t think the complaints could’ve been that many, at least not at the level of those two above (or pretty much any disney remake).
And yes, the reason they failed is because they were lazy, but if they weren’t lazy they wouldn’t have been just bland raceswaps.
You’re confounding two variables, though, so this example is incapable of proving anything. Is this the result of half A and B? Just A? Just B? It’s not possible to know.
Further, even if it was true, that audiences just can’t handle black Ariel, I don’t think that means there isn’t a problem. If we’re not allowed to race swap characters, then that means we can’t really hire black actors. “We can just write new characters”? Yeah, we can do that. But you’re basically saying that the last 80 years of shared, televised cultural history, even past all of the racial segregation of the 50s, the 60s, and on, is just inaccessible to the “other kinds.” Like, is a black woman not allowed to write a Cinderella?
I don’t think the complaints could’ve been that many,
Last thing: You should go looking for these people more often. Not so you can be like them, just to see them. I used to think that we lived in a post-racism world years and years ago. You don’t really get a sense of how the public behaves until you survey them. It’s good for you, though; know thy enemy.
![[Alzwards Corner] EXCUSE ME?!](https://lemmy.world/pictrs/image/f683868d-d0bb-4c7e-83a5-4cccb60ff9ec.png){kind=link}
Uhm, no?
Have you seen the reception to both Spiderverse movies? It was overwhelmingly positive. I’d say they were probably the most universally liked Marvel movies of the decade. You would really compare that to the reception the new Little Mermaid or Ghostbusters got and say “yeah, the same amount of people got upset by both things”?
It’s nowhere nearly close. Obviously, it’s also because the spiderverse movies are written much better, but that’s also a symptom of better writers being hired for better projects. The fact that raceswapping a character and writing an entirely different one are received the same way is just plain false. Not to mention, even better, just making new movies with black characters altogether. But those two things require considerably more effort than taking an old, already liked movie’s script and copy-pasting it with a random character of a different race. And Hollywood doesn’t like effort, they just like money and free advertising.
You obviously didn’t hear all the people complaining about Miles in the Spider-Man game, which is what I was referring to.
Have you considered that the racists in question just didn’t go see the Miles Morales movies? Also, the fact that they are independently good movies has to do with the turnout. The little mermaid remake and the Ghostbusters new movie weren’t exactly masterpieces. Saying that the spiderverse movies succeeded where they didn’t is wholly attributed to the metric of creating new characters vs race swapping others is just wrong. The fact is that those movies were lazy, and that was the reason they failed.
I addressed that before, in a sense. Imo, the raceswap is part of the laziness. And yes, the reason they failed is because they were lazy, but if they weren’t lazy they wouldn’t have been just bland raceswaps. That’s what I think about it, at least.
And honestly no, I didn’t hear complaining about the game, but I admittedly read very little about it online. My friends liked it a lot and that’s all I know. Complaining about that seems even dumber to me though: the franchise just got a very popular movie with a new main character, why wouldn’t you put him in the game too? I don’t think the complaints could’ve been that many, at least not at the level of those two above (or pretty much any disney remake).
You’re confounding two variables, though, so this example is incapable of proving anything. Is this the result of half A and B? Just A? Just B? It’s not possible to know.
Further, even if it was true, that audiences just can’t handle black Ariel, I don’t think that means there isn’t a problem. If we’re not allowed to race swap characters, then that means we can’t really hire black actors. “We can just write new characters”? Yeah, we can do that. But you’re basically saying that the last 80 years of shared, televised cultural history, even past all of the racial segregation of the 50s, the 60s, and on, is just inaccessible to the “other kinds.” Like, is a black woman not allowed to write a Cinderella?
Last thing: You should go looking for these people more often. Not so you can be like them, just to see them. I used to think that we lived in a post-racism world years and years ago. You don’t really get a sense of how the public behaves until you survey them. It’s good for you, though; know thy enemy.