Reminder: It’s only been 1 YEAR since the Will Smith eating spaghetti videoOpenAI Sora: https://openai.com/sora#researchThumbnail character: BasedAFMKBHD Mer...
But now, or soon, you can have one person with half an idea, like “what if The Rock had to save Shanghai from mole zombies”, and they can grab a text generator to fill in most of the screenplay, and then dial in the number of synonyms for “exciting” used to describe the explosions, and come out with Day of the Living Moles, a 95 minute feature film, in a weekend. Without actually having to have had any traditional cinematography skills or breaking an artistic sweat.
There are categories of creative work that are throw-away; little sketches on napkins, improvised songs, quick sketches that an artist might think of are of no account to anyone. And the scope of what can be dashed off like that, with minimal time and effort, is growing because of more powerful tools.
Why should I watch Universal’s superhero blockbuster when I can watch my buddy Jimothy’s? What happens when the number of plausible films dramatically exceeds the time that movie critics have to watch them to sort out which are any good?
But now, or soon, you can have one person with half an idea, like “what if The Rock had to save Shanghai from mole zombies”, and they can grab a text generator to fill in most of the screenplay, and then dial in the number of synonyms for “exciting” used to describe the explosions, and come out with Day of the Living Moles, a 95 minute feature film, in a weekend. Without actually having to have had any traditional cinematography skills or breaking an artistic sweat.
There are categories of creative work that are throw-away; little sketches on napkins, improvised songs, quick sketches that an artist might think of are of no account to anyone. And the scope of what can be dashed off like that, with minimal time and effort, is growing because of more powerful tools.
Why should I watch Universal’s superhero blockbuster when I can watch my buddy Jimothy’s? What happens when the number of plausible films dramatically exceeds the time that movie critics have to watch them to sort out which are any good?