The Picard Maneuver@lemmy.worldM to TenForward: Where Every Vulcan Knows Your Name@lemmy.world · edit-25 days agoData is becoming too smart for his own goodlemmy.worldimagemessage-square64fedilinkarrow-up1478arrow-down18
arrow-up1470arrow-down1imageData is becoming too smart for his own goodlemmy.worldThe Picard Maneuver@lemmy.worldM to TenForward: Where Every Vulcan Knows Your Name@lemmy.world · edit-25 days agomessage-square64fedilink
minus-squareFlying Squid@lemmy.worldMlinkfedilinkarrow-up15arrow-down2·5 days agoThat was during that weird period of the 24th century where the only two types of human music anyone listened to were classical and jazz. It didn’t last long, thankfully.
minus-squareThe Picard Maneuver@lemmy.worldOPMlinkfedilinkarrow-up7arrow-down1·5 days agoBut I love classical and jazz!
minus-squareFlying Squid@lemmy.worldMlinkfedilinkarrow-up8·5 days agoHey, I mostly listen to 30s and 40s jazz, but it was like rock didn’t exist on TNG, let alone something like rap or reggae.
minus-squareThe Picard Maneuver@lemmy.worldOPMlinkfedilinkarrow-up8arrow-down1·5 days agoIt’s a missed opportunity to not see Worf casually listening to rock/metal in his quarters. I guess they were thinking that classical and jazz seem a little more timeless?
minus-squareFlying Squid@lemmy.worldMlinkfedilinkarrow-up13arrow-down1·5 days agoI think it was more likely a licensing issue. Most classical music and many jazz standards are public domain. I don’t know what Abrams’ company paid the Beastie Boys for the right to use Sabotage, but I guarantee you it wasn’t cheap.
That was during that weird period of the 24th century where the only two types of human music anyone listened to were classical and jazz.
It didn’t last long, thankfully.
But I love classical and jazz!
Hey, I mostly listen to 30s and 40s jazz, but it was like rock didn’t exist on TNG, let alone something like rap or reggae.
It’s a missed opportunity to not see Worf casually listening to rock/metal in his quarters.
I guess they were thinking that classical and jazz seem a little more timeless?
I think it was more likely a licensing issue. Most classical music and many jazz standards are public domain.
I don’t know what Abrams’ company paid the Beastie Boys for the right to use Sabotage, but I guarantee you it wasn’t cheap.
Worf’s jam was Klingon opera in DS9