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Cake day: June 30th, 2023

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  • kibiz0r@lemmy.worldto196@lemmy.blahaj.zoneGame derulepment
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    9 months ago

    You know, I’m something of a failed game developer myself.

    The #1 thing I learned was: Set your sights low. Lower than you think you should have to. And then lower than that. And now take that and cut it in half. Got it? Okay, now, from that, figure out what you think you could get done in 2 weeks. And now imagine that you’re 2 days in and someone told you you actually only have 1 week to finish completely. Pencils down, you can never work on this again. What would you focus on?

    If the design is only fun if there are heaps and heaps of content, hyper-realistic art, epic soundtrack, and intricately-tuned parameters, you’re pretty much doomed to fail. It has to be fun even with one basic level, placeholder art, some sfxr audio clips, and wildly unbalanced stats.






  • It’s not the same issue at all.

    Piracy distributes power. It allows disenfranchised or marginalized people to access information and participate in culture, no matter where they live or how much money they have. It subverts a top-down read-only culture by enabling read-write access for anyone.

    Large-scale computing services like these so-called AIs consolidate power. They displace access to the original information and the headwaters of culture. They are for-profit services, tuned to the interests of specific American companies. They suppress read-write channels between author and audience.

    One gives power to the people. One gives power to 5 massive corporations.




  • The artists (and the people who want to see them continue to have a livelihood, a distinct voice, and a healthy engaged fanbase) live in that society.

    The platforms where the images are posted will be selling and brokering

    Isn’t this exactly the problem though?

    From books to radio to TV, movies, and the internet, there’s always:

    • One group of people who create valuable works
    • Another group of people who monopolize distribution of those works

    The distributors hijack ownership (or de facto ownership) of the work, through one means or another (either logistical superiority, financing requirements, or IP law fuckery) and exploit their position to make themselves the only channel for creators to reach their audience and vice-versa.

    That’s the precise pattern that OpenAI is following, and they’re doing it at a massive scale.

    It’s not new. Youtube, Reddit, Facebook, MySpace, all of these companies started with a public pitch about democratizing access to content. But a private pitch emerged, of becoming the main way that people access content. When it became feasible for them to turn against their users and liquidate them, they did.

    The difference is that they all had to wait for users to add the content over time. Imagine if Google knew they could’ve just seeded Google Video with every movie, episode, and clip ever aired or uploaded anywhere. Just say, “Mon Dieu! It’s impossible for us to run our service without including copyrighted materials! Woe is us!” and all is forgiven.

    But honestly, whichever way the courts decide, the legality of it doesn’t matter to me. It’s clearly a “Whose Line Is It?” situation where the rules are made up and ownership doesn’t matter. So I’m looking at “Does this consolidate power, or distribute it?” And OpenAI is pulling perhaps the biggest power grab that we’ve seen.

    Unrelated: I love that there’s a very distinct echo of something we saw with the previous era of tech grift, crypto. The grifters would always say, after they were confronted, “Well, there’s no way to undo it now! It’s on the blockchain!” There’s always this back-up argument of “it’s inevitable so you might as well let me do it”.



  • I’m dumbfounded that any Lemmy user supports OpenAI in this.

    We’re mostly refugees from Reddit, right?

    Reddit invited us to make stuff and share it with our peers, and that was great. Some posts were just links to the content’s real home: Youtube, a random Wordpress blog, a Github project, or whatever. The post text, the comments, and the replies only lived on Reddit. That wasn’t a huge problem, because that’s the part that was specific to Reddit. And besides, there were plenty of third-party apps to interact with those bits of content however you wanted to.

    But as Reddit started to dominate Google search results, it displaced results that might have linked to the “real home” of that content. And Reddit realized a tremendous opportunity: They now had a chokehold on not just user comments and text posts, but anything that people dare to promote online.

    At the same time, Reddit slowly moved from a place where something may get posted by the author of the original thing to a place where you’ll only see the post if it came from a high-karma user or bot. Mutated or distorted copies of the original instance, reformated to cut through the noise and gain the favor of the algorithm. Re-posts of re-posts, with no reference back to the original, divorced of whatever context or commentary the original creator may have provided. No way for the audience to respond to the author in any meaningful way and start a dialogue.

    This is a miniature preview of the future brought to you by LLM vendors. A monetized portal to a dead internet. A one-way street. An incestuous ouroborous of re-posts of re-posts. Automated remixes of automated remixes.

    There are genuine problems with copyright law. Don’t get me wrong. Perhaps the most glaring problem is the fact that many prominent creators don’t even own the copyright to the stuff they make. It was invented to protect creators, but in practice this “protection” gets assigned to a publisher immediately after the protected work comes into being.

    And then that copyright – the very same thing that was intended to protect creators – is used as a weapon against the creator and against their audience. Publishers insert a copyright chokepoint in-between the two, and they squeeze as hard as they desire, wringing it of every drop of profit, keeping creators and audiences far away from each other. Creators can’t speak out of turn. Fans can’t remix their favorite content and share it back to the community.

    This is a dysfunctional system. Audiences are denied the ability to access information or participate in culture if they can’t pay for admission. Creators are underpaid, and their creative ambitions are redirected to what’s popular. We end up with an auto-tuned culture – insular, uncritical, and predictable. Creativity reduced to a product.

    But.

    If the problem is that copyright law has severed the connection between creator and audience in order to set up a toll booth along the way, then we won’t solve it by giving OpenAI a free pass to do the exact same thing at massive scale.